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Documentaries & Non-Fiction Series

“The First Patient” Preview: Director Chip Duncan Takes Us on a Journey Inside the Human Body 

“The First Patient” Preview: Director Chip Duncan Takes Us on a Journey Inside the Human Body

Let’s get one thing out of the way right now: I’m squeamish. So I didn’t know if I’d be able to watch a film about a group of first year medical students navigating their gross anatomy class. But one of the things I think director Chip Duncan illustrates so beautifully is the passion and commitment of these students to study the human body and learn from the people who have donated their bodies to science. And I didn’t expect to come away from this documentary having discovered the beauty and wonder of the human form.

A dramatic journey into an unknown world, The First Patient challenges audiences to embrace their curiosity and courage. With extraordinary access and assistance provided by the Mayo Clinic, Duncan brings his cameras into a world the public rarely sees. The First Patient provides dynamic insights into medical science, teamwork, death, and spirituality as students discover what it means to be a doctor and what it means to be a human being.

I had the chance to speak exclusively to director Chip Duncan about why he wanted to make this film, how he ended up at the Mayo Clinic medical school, the journey of the students and the beauty of the human body.

TV GOODNESS: I was apprehensive to watch this, but I found the film so interesting and educational and beautiful. What made you want to make this film and how did you start going about it?

Chip Duncan: “Well first of all, thank you for that comment. I’m really glad, because it’s a topic where you think this can’t possibly be upbeat and positive and then you watch the film and it is. You think it’s going to be scary and then it’s not.

Let me put it this way, it originated when I visited an anatomy lab for the first time in 2003. The lab was down in South Carolina at a medical school and it was run by a friend of mine. When I went into the lab for the first time, I said, ‘Well I’m either going to pass out or I’m going to want to make a film.’ And the magic happened. I got inside and realized that the donors had made this incredible sacrifice of their bodies for medical science. But the journey was all about the students, about their growth, overcoming their fear, learning the confidence that it takes to be a doctor.

Then I started doing some homework and I found out that my experience was not unique. That this class for hundreds of years has been really the defining opportunity for someone to become a doctor. If they can’t get through this class, they won’t pursue the profession. You have no choice. They call it a rite of passage and it truly is.

Photo Credit: The Duncan Group

So then in addition, the more time I spent looking over shoulders, and trying to see what they were doing, I realized that there was this whole aesthetic to the human body that none of us ever get to see. So, as you saw in the film, the notion that we’re all the same on the inside really is true. And unless you are participating in this class, you’d never see that.”

TV GOODNESS: When you decided you wanted to make the film, how did you go about picking the hospital? What was that process like? And then how did you pick the students you wanted to talk to?

Duncan: “A number of schools turned us down. In a meeting with Mayo Clinic, they said yes almost immediately and I think a lot of it has to do with Mayo’s dedication to education. In this case, they thought it would be not just educating the students, but also educating the audience [with] an underlying goal of the more we understand, the more we see what a doctor goes through, what their training’s like, the better we might become ourselves as patients.

Mayo has this big commitment to education and, I think, because of who they are, they’re willing to take more risks. They’re very courageous.

Photo Credit: The Duncan Group

Once Mayo Clinic said yes, I basically did a meeting in front of the student body. It’s 52 students and we said, ‘This is not mandatory. You don’t have to participate, but we’ll follow those of you who are willing.’ And of the 52 students in the class, 22 were followed for the film. And they had 13 cadaver bodies they were working on, so four students per table plus a TA table.”

The First Patient opened in New York on Friday, October 26th and rolled out throughout the US in the fall.

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