
Tonight Queen Latifah stars as legendary blues singer, Bessie Smith, in a biopic simply titled Bessie. According to HBO, the film focuses on Smith’s transformation from a struggling young singer into “The Empress of the Blues,†one of the most successful recording artists of the 1920s and an enduring icon today.

Over the years Queen Latifah has had an amazing music career that earned her a Grammy. As an actress, she’s starred in the comedy Living Single on the small screen and was Oscar nominated for her role as Matron Mama Morton in the big screen version of the musical, Chicago. What’s cool about Bessie is we get to see the Queen like we’ve never seen her before. She gets to sing Smith’s rich, soulful songs; she gets to play out a variety of emotions that she doesn’t always have the opportunity to play; she has to be fierce and ferocious one minute and then vulnerable and devastated the next. Plus, since this is a period piece, we see her wear the wardrobe of the time, which includes lots of dresses.

As for Bessie herself, she didn’t only sing the blues, she lived the blues. She was tough and resilient and could fend for herself as she dealt with things like racism and sexism. But the singer had a painful childhood. As an adult, she got involved in some unhealthy relationships. She made mistakes but was able to rise above them. She slept with both men and women but, ultimately, ended up in a relationship with someone who was good for her and to her. She didn’t always have that. Her life as depicted in this film is filled with drama, angst, abuse, ego, success and rejection.
Some of the movie’s best scenes are the ones Queen Latifah shares with Oscar winner Mo’Nique (Precious), who plays Ma Rainey, Bessie’s mentor and rival. The rest of the stellar Bessie cast includes: Michael Kenneth Williams (Boardwalk Empire, The Wire) as Bessie’s husband, Jack Gee; Khandi Alexander (Scandal, Treme, NewsRadio) as Bessie’s older sister, Viola; Mike Epps (the upcoming ABC comedy, Uncle Buck) as Richard, a bootlegger and romantic interest; Tory Kittles (True Detective) as Bessie’s older brother, Clarence; Tika Sumpter (One Life to Live, Gossip Girl, The Haves and Have Nots) as Lucille, a performer and romantic interest; Oliver Platt (the upcoming NBC drama, Chicago Med) as famed photographer and writer Carl Van Vechten; Bryan Greenberg (One Tree Hill, How to Make it in America) as renowned record producer and music critic John Hammond; with Charles S. Dutton (Roc) as Ma Rainey’s husband, William “Pa†Rainey.
In an HBO interview, the Oscar nominee talked Bessie.

How did you get involved in Bessie?
Queen Latifah: It came to me through the Zanuck Company more than 20 years ago. I auditioned for the role at the time and I’ve been attached to it since then. It’s been a long time, but it was a story worth telling and a character worth sticking with. It’s been satisfying to finally see it happen. I’m looking forward to people finding out who Bessie Smith is if they don’t know about her already.
I didn’t know who Bessie was when this movie came to me in my early 20s. I did some homework and realized how influential she was and what amazing things she accomplished. For example, when you find out what an influence she was on Billie Holiday, it brings her importance into focus.
Bessie looks to Ma Rainey as a mother figure in the film.
Queen Latifah: That was something that [director/writer] Dee Rees felt was important to reflect in the script. We’ve heard about some of the big barriers Bessie was able to break down. She was seen as this strong, fearless woman who could take a punch as well as give one, but Dee wanted to show her vulnerable side. Bessie really needed love and missed her mother, who died when she was young. Ma came into her life and filled that role. Mo’Nique and I had a great time showing that. It was a lot of fun playing those scenes with her, because there’s real-life affection between us, as well as onscreen with our characters.
Did you always see Bessie as the story of a search for family?

Queen Latifah: There are so many aspects of her life that could be told. You could do an entire series on her, not just a couple of hours. There’s a lot to tell. She lived a hell of a life, and did a lot in her short time on earth.
Bessie was the type of person who would fight for someone else quicker than she’d fight for herself, and personally, I can relate to that. I’ve never like bullies, and as early as second grade I was sticking up for my classmates who were being bullied. But when I was bullied, I felt the same fear as everyone else.
Not that Bessie wouldn’t stick up for herself, because she damned sure would. She wasn’t always right. She was wrong as often as she was right, but that’s just the human condition. It was important for us to show that.

Bessie’s relationship with her husband, Jack (played by Michael K. Williams), exposed her vulnerable side.
Queen Latifah:  Bessie needed a man who would fight for her and protect her, and she saw that in him. Things didn’t always go smoothly between them, but I do think they loved each other.
Did you know Michael K. Williams before shooting BESSIE?
Queen Latifah:  We’ve known each other since we were teenagers, and we’ve watched each other go from being kids just hanging out to successful actors, but this was the first time we’ve worked together. It was a blast for us.
Your resume as an actor includes everything from comedy to drama to musicals. Were you able to draw on any of your previous roles in playing Bessie?
Queen Latifah: I had to start from scratch. Bessie is her own character. I could have played this role at age 22, but I didn’t have the life experience I can bring to it now. I was exhausted, frankly, after a day’s work of being Bessie. She had a husband, a boyfriend and a girlfriend. She was fighting and singing. She’s a lot of woman, and I was more than happy to come home from work and take a nice hot shower and get some rest!
The blues scene of the ‘20s was an evolving scene, much like hip-hop in the ‘80s when you came along. Do you see parallels?
Queen Latifah: Definitely. One of the things the blues was able to do was speak a language that white America didn’t understand, but black America surely did. Hip-hop did the same thing. We were able to express ourselves through the music and create our own culture and communicate what was going on in our world.

In singing Bessie’s songs, did you try to find a balance between your own style as a vocalist and hers? You obviously aren’t trying to imitate her.
Queen Latifah: Absolutely. I tried to draw on her style in different ways, whether it’s her vibrato or the way she said certain words. Listening to Bessie as a musician is amazing because she does something I like to do, which is bounce around the tempos, go from 4/4 to thirds, then swing something and jump back. In one song she can go from gospel to jazz to straight blues.
Bessie’s style was unlike anyone else’s. She was a real powerhouse and had a lot of grit in her voice. You could hear when she was partying really hard and when she wasn’t. I just tried to find enough similarities of what she does in my own voice.
I wish she had lived long enough to go into jazz because she was headed that way. Bessie would have been one of the most incredible jazz singers ever to walk the face of the planet, because she was such a damn good singer.
Bessie premieres tonight at 8/7c on HBO.
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